Still, she is somewhat discontented with her own personal life; there's an emptiness she can neither define nor resolve, and it primes her vulnerability. You can almost see the strings, Riveting, disturbing... near-flawless psychological suspense. Crouse is portrayed as an alien in this world, a successful, best-selling author who has never dreamed that men like this exist, and the movie is insidious in the way it shows her willingness to be corrupted. This movie had potential, but what makes it really bad is Lindsay Crouse's acting. Mantegna is absolutely riveting in this film; he lends every nuance possible to a complex character who must be able to lead you willingly into the shadows, and does. He agrees and Margaret begins her journey to her dark side. Funnily enough, the same guys gave "QoS" a higher rating than Scorcese's "Casino". I still can't begin to understand how this film can have so much critical acclaim. A few problems: The fact that most episodes are in rundown dirty places that were very common in the 1980's rub onto Margeret Ford's character as well as Mike's making the drama muddled. I did not like the acting at all. I am a great devotee of the Con Artist movies. And there are films that are just plain perfect of their kind. You can almost see the strings, Riveting, disturbing... near-flawless psychological suspense. Even if Mamet did mean to have stylized dialog and acting - it doesn't work at all - at best coming off as pretentious - at worst just plain silly. What emerges is a … But I guess I was tricked as well being as gullible as the psychiatrist. I have seen so many films that were sleepwalking through the debris of old plots and second-hand ideas that it was a constant pleasure to watch House of Games, a movie about con men that succeeds not only in conning the audience, but also in creating a series of characters who seem imprisoned by the need to con, or be conned. House of Games is spell binding. I wish I had paid more attention to the 1-star reviews and not wasted my time on this piece of trash. We won’t be able to verify your ticket today, but it’s great to know for the future. |, May 3, 2013 They speak it as it is meant to be spoken, with a sort of aggressive, almost insulting directness. It doesn't matter what kind of pistol was involved at that point. If your idea of a thriller is car chases, explosions, and dozens of people being mowed down by gunfire, then "House of Games" is definitely not the movie for you. Her almost robotic reading of the lines seems to fit her screen personality. The story was no better then watching a B movie horror flick where the teenager goes down into the basement to check on a noise, even after finding two dead friends! Sorry I lost that time in my life and I cannot get it back. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. Except the cinematography, not a single thing works. Explore our collection of games like The Room which features great free and paid puzzle games for iOS, Android and PC. Here's my first David Mamet directed film. And they smoke too much!!! I didn't like the beginning the middle or the end. But I'll give it a shot. (Incidentally, the strangely robotic performance from the usually compelling Lindsay Crouse, the former Mrs. Mamet, should be compared to the even-stiffer Rebecca Pigeon, the PRESENT Mrs. Mamet, in 1997's not-dissimilar "Spanish Prisoner". The ultimate result is that the only entertainment to be had is in guessing the outcome, and the sooner you do that the sooner you will get bored with the robotic, two-dimensional performances. There are a few rough edges in House, but overall it's Mamet's best work outside of Glengarry Glen Ross, which is in a class by itself. This takes her to the `House of Games,' a seedy little dive where she meets Mike (Joe Mantegna), a charismatic con-man who wastes no time before enticing her into his world. Margaret goes to the House of the Games, a place where gamblers play pool in the saloon and poker in the rear, and she meets the cynical con man Mike. "House of Games" is the quintessential Mamet; he's written and directed a number of high-caliber plays and films since, and will no doubt grace us with more in the future. If you like and appreciate psychological drama and suspense, then, by all means, see it. Protagonist not once, but the audience, clever or stupid is a 1987 American neo-noir heist-thriller film by. Movie, does she ever, is in too deep pages you are interested in interested in about gamblers con. You need to be enjoyed ( George ) and William H. Macy ( Sergeant ). Almost see the house of games review, Riveting, disturbing... near-flawless psychological suspense of Cards David... 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