Victoria S. Reed. These themes make Salome with the Head of St. John the Baptist Reni’s masterpiece. The auction catalogue for the St. Severin sale listed the painting as "Herodiade" by Vouet. On her head is a large white turban with gold trim. It turns out, however, that the painting is almost an exact copy of a painting by Guido Reni, now located at the Galleria Nazionale d'Arte Antica in Rome. In "Salome" (1896) by the Greek poet Constantine Cavafy, Salome instigated the death of John the Baptist as part of a futile effort to get the interest of "a young sophist who was indifferent to the charms of love". Do you want to buy a giclee print on cotton canvas of this artwork from Jacques De Stella ? The underlying story makes it macabre. Musée Du Louvre Département Des Peintures (Paris, France), The Fitzwilliam Museum (Cambridge, United Kingdom). Victoria S. Reed. Salome’s beauty tempts her stepfather. FREE Returns All the time. Boston, 1976, p. 323, no. An article courtesy of the Thomas Jefferson Encyclopedia. It is entitled “Salome with the Head of John the Baptist” and was painted by Andrea Solario. Reni's early 17th century painting is generally regarded as Salome, rather than her mother, Herodias. 1867 - d. 1917), Duke of Ascoli and Prince of Sant'Angelo dei Lombardi, Naples [see note 2]; about 1917, sold by his son, Trojano Marulli d'Ascoli (b. Historical Notes: A three-quarter length portrait of Salome (identified by Jefferson as Herodias) holding the head of John the Baptist on a large platter. "Piety and Virtue: Images of Salome with the Head of John the Baptist in … Arts & Entertainment > Hobbies & Creative Arts > Artwork, Salome with the Head of Saint John the Baptist, 1637 by Jacques De Stella (1596-1657) | Reproductions Jacques De Stella | WahooArt.com, http://WahooArt.com/Art.nsf/O/AQSD7J/$File/Jacques-Stella-Salome-with-the-Head-of-Saint-John-the-Baptist.jpg, Artworks in museum National Trust (Thames, New Zealand). 1766 - d. 1846), Naples [see note 1]; 1846, by inheritance to his nephew, Sebastiano Marulli d'Ascoli (b. She faces frontally with her head inclined to the right, and she wears rich, oriental robes of blue and gold. "Thomas Jefferson's Art Gallery for Monticello,". (Accession Date: October 20, 1921). The hat and the bodice of her robe are bejeweled, and she wears large pearl earrings. This painting captures a Bible story with a singular image. 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