The nightclubs of the 1980s and 1990s were often wild landscapes that attracted even stranger nocturnal animals. (LogOut/ (Credit: Newsday / John Keating), A phone in the Kenny Scharf room at the Palladium Dance Hall in Manhattan as seen on June 25, 1985. Chronicling an ever-changing city through faded and forgotten artifacts. Thats where their value lies, says archivist Marc H. Miller, who curated the exhibition A Golden Age of NYC Nightlife: Nightclub Ephemera from the 1980s now online at Gallery 98.. Miller, who arrived in New York in 1968, lived on the Bowery for two decades. He first got involved in the downtown scene in the mid-1970s, when he started hanging out at legendary club CBGB, and noticed a confluence of artists among them Marcia Resnick, Diego Cortez, Jimmy DeSana, and Pat Place packed into the tiny bar, watching the latest punk bands perform. For many New York club-goers in the 1980s and 1990s, the Limelight defined what it meant to be cool. Learn how your comment data is processed. Thats where their value lies, says archivist Marc H. Miller, who curated the exhibition A Golden Age of NYC Nightlife: Nightclub Ephemera from the 1980s now online at Gallery 98. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. In the mid-1980s, the Palladium was converted into a nightclub by Steve Rubell and Ian Schrager who'd worked with Studio 54 in Manhattan. (LogOut/ Warhol Thats where their value lies, says archivist, A Golden Age of NYC Nightlife: Nightclub Ephemera from the 1980s, Miller, who arrived in New York in 1968, lived on the Bowery for two decades. The Palladium Salt Lake City, UT 1985-1988. Rock stars and artists treated Maxs like their own personal living room. This ad is from the East Village Eye, December 1985: Danceteria existed at a couple of different locations before Change), You are commenting using your Facebook account. One of the oldest and most historic nightclubs in NYC, the Latin themed night club oozed with Old Hollywood glamour and sophistication.With performances from These photos, spanning from the early 1980s to the mid-1990s, give us glimpses of what it was like at such iconic clubs as the Limelight and Wetlands Preserve. Years after the place closed in 2001, its reputation still fascinates nightlife entrepreneurs. The In the mid-1960s, Maxs Kansas City became the mecca of New Yorks avant-garde, attracting a mix of artists, writers, musicians, and underground stars who made the famed backroom into the ultimate nightlife destination. Seating 3,000, it was popular with both mainstream bands and upcoming acts which could open a major bill. Post was not sent - check your email addresses! He first got involved in the downtown scene in the mid-1970s, when he started hanging out at legendary club, , and noticed a confluence of artists among them. Palladium, Keith Haring, The Great Peace March Benefit, 3-Fold Pamphlet, 1986 The flyers are tightly connected to real events and real cultural moments. This ad is from the East Village Eye, December 1985: Danceteria existed at a couple of different locations before settling on 21st Street in the Flatiron District until its demise in 1986. We use cookies to ensure that we give you the best experience on our website. Oh!, Card. Let the party begin. The flyers are tightly connected to real events and real cultural moments. Before the advent of the internet, promoters spread the word by creating innovative flyers to advertise their one-night-only affairs. From the start, the Mudd Club was always aiming to be the cutting-edge art scene. This entry was posted on November 12, 2008 at 5:18 am and is filed under Flatiron District, Music, art, theater. Blog at WordPress.com. 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