Carpaccio's earliest known solo works are a Salvator Mundi in the Collezione Contini Bonacossi and a Pietà now in the Palazzo Pitti. Carpaccio, or Scarpazza, as the name was originally rendered, came from a family originally from Mazzorbo, an island in the diocese of Torcello. The room is that typical of an acculturated humanist of the painter's age, depicted with his usual attention to details. Choose your favorite vittore carpaccio designs and purchase them as wall art, home decor, phone cases, tote bags, and more! 9–23. Daniele Trucco, "Vittore Carpaccio e l’esasperazione dell’orrido nell’iconografia del Rinascimento", in «Letteratura & Arte», n. 12, 2014, pp. Documents trace the family back to at least the 13th century, and its members were diffused and established throughout Venice. In the 1940s, the paintings underwent restoration that has since discoloured Carpaccio's original vibrant palette to amber tones. [3] The St. George tale was enormously popular during the renaissance, and the confrontation between the knight and the dragon was painted by numerous artists. Some of the books show musical lines. The work portrays the traditional episode of Saint Jerome appearing to St. Augustine to announce his imminent death and departure to Heaven. Site Map, Wholesale handmade oil painting reproductions of famous artist(old master) direct from the studio. Fortini Brown argues that this increased interest in exotic eastern subject matter is a result of worsening relations between Venice and the Ottoman Turks: "as it became more of a threat, it also became more of an obsession. For the painting of the same name by Botticelli, see, "British Museum Description of Object 1934,1208.1", https://en.wikipedia.org/w/index.php?title=St._Augustine_in_His_Study_(Carpaccio)&oldid=977407304, Creative Commons Attribution-ShareAlike License, This page was last edited on 8 September 2020, at 17:21. Carpaccio's depiction of the event thus has a long history; less common is his rendition of the baptism moment. In 1490 Carpaccio began the famous Legend of St. Ursula, for the Venetian Scuola dedicated to that saint. [1] Upon entering the Humanist circles of Venice, he changed his family name to Carpaccio. In September 2019, an expected two-year conservation campaign began under the sponsorship by the non-profit organization Save Venice Inc. His date of birth is uncertain: his principal works were executed between 1490 and 1519, ranking him among the early masters of the Venetian Renaissance, and he is first mentioned in 1472 in a will of his uncle Fra Ilario. In 1516, he painted a Sacra Conversatione painting in then Venetian town of Capodistria (now Koper in Slovenia), which is hanging in its Cathedral of the Assumption. Complete list of Carpaccio's oil paintings, HOME | The Legend of Saint Ursula (Italian: Storie di sant'Orsola) is a series of large wall-paintings on canvas by the Italian Renaissance artist Vittore Carpaccio, originally created for the Scuola di Sant'Orsola (Ursula) in Venice. Here is a further number of details: a table with three couples of crossed legs and covered by a red tablecloth, further books, and, on a shelf running for the room's perimeter, several scientific and astronomical instruments, including Regiomontanus' astrolabe which, at the time, was owned only by John Bessarion, and is likely to have inspired Carpaccio for the saint's representation. He is best known for a cycle of nine paintings, The Legend of Saint Ursula. Note that in The Baptism one of the recent converts has ostentatiously placed his elaborate red-and-white, jewel-tipped turban on the ground in order to receive the sacrament. At about the same time, from 1501–1507, he worked in the Doge's Palace, together with Giovanni Bellini, in decorating of the Hall of the Great Council. His style was somewhat conservative, showing little influence from the Humanist trends that transformed Italian Renaissance painting during his lifetime. [citation needed] He was a pupil (not, as sometimes thought, the master) of Lazzaro Bastiani, who, like the Bellini and Vivarini, was the head of a large atelier in Venice.[1]. This page was last edited on 12 August 2020, at 09:52. He is best known for a cycle of nine paintings, The Legend of Saint Ursula. Shop for vittore carpaccio art from the world's greatest living artists. Carpaccio portrayed the African saint in his studio, in the moment in which he is distracted from his reading by the voice of Jerome, coming as a luminous shape in the window near the desk. Resource Links | Other elements depicted include measurement instruments, precious caskets, a bell, a shell, an armillary sphere, vases, bottles and others. Vittore Carpaccio, (born c. 1460, Venice [Italy]—died 1525/26, Venice), greatest early Renaissance narrative painter of the Venetian school. Of the same year is a Young Knight in a Landscape, now in the Thyssen-Bornemisza Collection of Madrid. Then the St. George story addressed the theme of conversion and the supremacy of Christianity. In later years Carpaccio appears to have been influenced by Cima da Conegliano, as evidenced in the Death of the Virgin from 1508, at Ferrara. Three years later he took part in the decoration of the Scuola Grande di San Giovanni Evangelista, painting the Miracle of the Relic of the Cross at the Ponte di Rialto. Son of Piero Scarpazza, a leather merchant nine paintings, the Legend of Saint Ursula of Saint Ursula carpaccio! 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