He was then named first painter to the Spanish court. Análisis de la tauromaquia desde sus raíces. La course de taureaux ou "corrida" commence généralement vers 16 ou 17 heures par le défilé ou "paseíllo" des "toreros" et des "cuadrillas" précédés de deux cavaliers, appelés "alguacilillos", chargés de demander la clef du toril au président de la corrida. Les courses de taureaux sont très populaires en Espagne, en Amérique latine et dans le sud de la France, où elles sont considérées comme une véritable forme d'art. Francisco Goya y Lucientes was born on March 30, 1746 in Fuendetodos, near Zaragoza (Spain). In 1792, he became deaf and started to have hallucinations. Au cours de la troisième et dernière partie de la "lidia", le "tercio de muerte", le matador saisit son épée et la "muleta", rectangle de serge rouge replié sur un bâton, et exécute la "faena", série de passes -- "derechazos", "naturales", "manoletinas" (cette dernière a été inventée par l'un des plus célèbres toreros espagnols, Manolete) -- qui lui permettent de trouver le moment propice pour frapper le taureau de son épée. La tauromaquia entra dentro de lo muy prescindible, el alimentarnos NO. In 1824 he moved to Bordeaux (France) and had Gaulon print a series of four lithographs called “Bulls of Bordeaux”, which marked the height of his genius. The invasion of his homeland by Napoleon’s armies in 1808 and the ensuing war affected him deeply and inspired two powerful masterpieces, “The charge of the Mamelukes” and “The third of May 1808”, completed in 1814 and preserved in the Prado Museum in Madrid. After the death of his wife in 1812, the Spanish painter abandoned commissions from aristocrats command and, from 1816 onward concentrated his work on the lives of the people and on bullfighting. The first album was published by the artist himself in 1816. He recreated with precision the graceful gestures of “lidia”, or chose in “suertes” the most emotional moment. Album of 33 etchings (+ 7 additional plates, number 47/150 of the Edition published by the Calcografía Nacional of Madrid in 1990. Despite this, he decorated the dome of the Royal Chapel of San Antonio de la Florida in 1798 and, the following year, he published his collection of “Caprichos” (Whims). Plus efficace. By basing his series on the historical text by Moratin to trace the evolution of these races from their origin until 1800, Goya was addressing aficionados of the theme. As of the third edition by Loizelet in Paris in 1876, the series included seven additional plates, inventoried A to G. The series that belongs to UNESCO is set No. C'est à ce moment que l'on juge la performance du torero et celle du taureau. “La Tauromaquia” by Francisco Goya is an album of 33 etchings first published by the engraver himself in 1816. In the series “Disasters of War”, engraved in 1810, Goya immortalized his hopeless view of these events. As of the third edition by Loizelet in Paris in 1876, the series included seven additional plates, inventoried A to G. The series that belongs to UNESCO is set No.