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A stage hypnotist encounters the father of a girl he killed in a car accident. A direct piece of storytelling with a huge heart. But the show is out to recruit us to that adorably quaint and esteemed body. But A Doll’s House is one of those plays with a wide significance: written in 1879, it’s a proto-feminist text. Gay, unhappy Posner also has the play's best joke: “I'm a Jew. Come From Away is more a rambunctious, musical exhalation rather than a deep and thoughtful examination. To win the Trojan war, Agamemnon sacrificed his daughter; the trilogy opens with a play in which his wife Clytemnestra kills him to avenge her daughter’s death. Express. When our troubled heroine Nora slams the door at the end of the play, it’s not just on her patronising husband, but on the whole of The Patriarchy. "This happens every single night," she told me. This enormous autobiographical drama is so raw and unremitting in its revelations about his dysfunctional Irish-Catholic family that the author left instructions – mercifully disobeyed by his widow – that the play was not to be performed until 25 years after his death. His penniless nonenity turns out to be driven by an equivalent dread of being recognised as one of life's losers. The play centres on two divorcees who, five years after their split, bump into each other on adjacent hotel balconies while on the first night of honeymoons with their new spouses. newspaper archive. Until 14 September. Englishman Nick (Robert Hands) angsts about the Texas meeting he will not make only to find love instead in the calming presence of Diane (Helen Hobson), whom he went on to wed. Come From Away review: A musical based on events during the 9/11 attacks (Image: PH ) Of course, this is a show about real people. Although it all lands light as a butterfly, the script is stinging on subjects such as ambition and race relations. But the mood is predominantly feel-good. Except that his texts are great and this one is superb beyond belief. There but for the grace of God goes Riverdance. Two stories, set in the same country house, in 1809 and the present day, intersect and eventually overlap beautifully. Writing of rare sensitivity and cumulative power. Panic drives these paranoid locals to project a false identity onto this stranger. Home of the Daily and Sunday Express. The mathematic theorising forecasts hope as well as disaster for the universe, and the story offers the same for its characters. The complications are deliciously warped. And no one seems to grow more complex over time. Happily, there is (spoiler alert) no audience participation in the pub scene where the visitors undergo the initiation ceremony for becoming honorary Newfoundlanders (it involves kissing a dead fish). It allows our most engaged readers to debate the big issues, share their own experiences, discuss real-world solutions, and more. Yes, it’s a mind-achingly clever look at both science and art, pitting the rational against the romantic, while giving you mini lessons in chaos theory, the second law of thermodynamics and the life and shaggings of Lord Byron. The local characters and musical styles play on the Celtic roots of the region and the homespun generosity and humanity which still exists out there. Scarcely had the applause subsided before Gander's recently retired Mayor, Claude Ellott (played in the show by Clive Carter, pictured above right), took to the mic to offer his town's hospitality (and gratis!) Nor did the planes' eventual departure allow Gander to revert to business as usual, at least if an opening night offer from the stage is any gauge. Well, that's this year's Brexit-era holiday sorted then. Ian McKellen originally played Max, but Richard Gere and Alan Cummings have also taken on the role in what is now seen as seminal gay text – one that proves truth and love may flower in the most horrific, hopeless circumstances. Few people seem to be left unenhanced by their experiences. You emerge drained but in a state of elating catharsis. Come From Away review: A musical based on events during the 9/11 attacks (Image: PH ) Of course, this is a show about real people. We’re to take it that not a single local felt iffy about helping the sudden influx of outsiders. Feel desperately compelled to look a brilliant portrait of a girl he killed in a of... Unjust world what is love reflects on how the 9/11 musical moves from Broadway to London “ dream! A snapshot of lives far from a conventional “ issue ” play in its themes of loss, ageing and! Of Covid, hope, and idealism, it 's also a brilliant portrait a. And back pages, download the newspaper, order back issues and the... 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