Well, I can't help with finding a good recording for you, as I generally gravitate towards free recordings which are of somewhat lesser quality or consistency than commercial recordings, but I'd just like to say that his Op. Even when he takes a rough hand to some of Chopin’s more intimate confessions, his way with his selection of Nocturnes creates a sense of drama and occasion light years away from more recent recordings. At the same time, the right hand part is beautifully voiced, and the high notes are sweet, without a trace of glassiness from the recording. But the piano’s the thing and Nebolsin proves himself a scintillating and persuasive Chopinist, alive to every detail and, indeed, subtly highlighting a few that are generally ignored. He wasn't afraid to break free from those rhythms, though, and it's very common to hear performers interpret them in a number of different ways and speeds.Chopin was apparently a big fan of John Field's, but unfortunately Field couldn't muster the same enthusiasm for his Polish equivalent, describing him as a 'sickroom talent' after hearing his Nocturnes. There's a problem loading this menu at the moment. Chopin’s were the first to be performed in the concert hall. From her, Chopin is hardly the most balanced or classically biased of the Romantics. How could any serious appreciater of music hear these recordings and focus on that. Included here are Gramophone Award-winning albums, Recordings of the Month and Editor's Choice discs from Rubinstein, Argerich, Pollini, Perahia, Cortot, Grosvenor, and many more. Mark Obert-Thorn’s restoration of the 1953 sound is a model of remastery though even he cannot make the 1946 Second Concerto sound less than cramped. Our payment security system encrypts your information during transmission. Pianists live and die today by their ability to tackle the core repertoire, and the Nocturnes are no exception - the list of pianists still committing their interpretations to tape is evidence enough that these really are hardy perennials. Here she revisits both concertos and offers an act of re-creative daring, of an alternating reverie and passion that flashes fire with a thousand different lights. Pollini begins with a magnificent account of the Ballade No 2, the maelstrom that erupts after the pastoral first page sounding like a howl of despair. The level and consistency of the creative inspiration evident in the Nocturnes makes them amongst the most widely admired, as well as best loved, pieces in the classical piano repertoire. History has, however, been rather more kind to Chopin's Nocturnes - Field's piano work is practically unheard when compared to Chopin's towering piano repertoire. 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